Among the many sets of books in my Grandmother's basement book shelf, were the whole collection of Charles Dickens and Mark Twain. I read them all, although I must confess I didn't finish A Connecticut Yankee in King Arthur's Court, by Twain. I couldn't understand it at all. Among the classics of European literature in the set on the shelf were books by Boccacio and de Maupassant. I read the Last Days of Pompei from that set as well as The Decameron. In my teens, after I moved from Philadelphia to New Jersey and got a library card, I expanded my reading with sets of books more appropriate to my age, which I devoured like candy: Cherry Ames. Student Nurse, Nancy Drew, Detective, and others. They had been inspired by one book from the basement shelves called OUTDOOR GIRLS ON A HIKE, which I loved wih all my heart. It was in a special class of beloved books which was shared with Anne of Green Gables also from the basement. Later in my more turbulent teens, I came under the sway of the Russians, Turgenev, Dostoevski, Pasternak. Their work seemed to suit my tormented teenaged soul.
What I loved about all of those books was my TOTAL IMMERSION in those other worlds. I was that kind of strange child with that kind of strange concentration. Those other worlds transported me and also prepared me for a life among humans, for better or for worse. So, of course, when I went to college to study literature, I wanted to learn the magic art of writing books, and having met, by that point mostly male authors, I was eager to see the world through the eyes of women, but where were they? After a dispute with a literature professor over a coarse called Survey of World Literature which included NOT ONE female author, I did my own indepencdent study and created a bibliography of lost, forgotten, or ignored women authors and I read them beginning at the beginning with Lady Murasaki and the Tales of Genji, the first novel written around 1000 a.d. I worked my way through the famous ones like George Sand and Edith Wharton, and the Bronte' sisters, and I sought out women who had been good enough to be published but who had later fallen into the dustbin of history, Dorothy Canfield Fisher.
Similarly when I studied Art in my 2nd Bachelor's degree at Rutgers, I looked for the Women Artists and again it was a true excavation through the lives of male artists. But I found Artemisia Gentileschi, Marie Laurencin, Mary Casatt, Georgia O'Keefe (soon to become famous again thanks to the Women's Movement). Fortunately I had a woman professor who had written a book on lost women artists, Wendy Slatkin: Women Artists - Antiquity to the Present.
I am going to finish this in a new entry because the blog has limited the amount of text space I can use. to be continued.
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